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A True Life Novel

Jeannette Walls's The Glass Castle was "nothing short of spectacular" (Entertainment Weekly). Now she brings us the story of her grandmother – told in a voice so authentic and compelling that the book is destined to become an instant classic.

"Those old cows knew trouble was coming before we did." So begins the story of Lily Casey Smith, in Jeannette Walls's magnificent, true-life novel based on her no-nonsense, resourceful, hard working, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town – riding five hundred miles on her pony, all alone, to get to her job. She learned to drive a car ("I loved cars even more than I loved horses. They didn't need to be fed if they weren't working, and they didn't leave big piles of manure all over the place") and fly a plane, and, with her husband, ran a vast ranch in Arizona. She raised two children, one of whom is Jeannette's memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle.

Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds – against women, Native Americans, and anyone else who didn't fit the mold. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen's Out of Africa or Beryl Markham's West with the Night. It will transfix readers everywhere.

From Publishers Weekly

It is temping at first but unwise to assume Candace Shapiro is yet another Bridget Jones. Feisty, funny and less self-hating than her predecessor, Cannie is a 28-year-old Philadelphia Examiner reporter preoccupied with her weight and men, but able to see the humor in even the most unpleasant of life's broadsides. Even she is floored, however, when she reads "Good in Bed," a new women's magazine column penned by her ex-boyfriend, pothead grad student Bruce Guberman. Three months earlier, Cannie suggested they take a break apparently, Bruce thought they were through and set about making such proclamations as, "Loving a larger woman is an act of courage in our world." Devastated by this public humiliation, Cannie takes comfort in tequila and her beloved dog, Nifkin. Bruce has let her down like another man in her life: Cannie's sadistic, plastic surgeon father emotionally abused her as a young girl, and eventually abandoned his wife and family, leaving no forwarding address. Cannie's siblings suffer, especially the youngest, Lucy, who has tried everything from phone sex to striptease. Their tough-as-nails mother managed to find love again with a woman, Tanya, the gravel-voiced owner of a two-ton loom. Somehow, Cannie stays strong for family and friends, joining a weight-loss group, selling her screenplay and gaining the maturity to ask for help when she faces something bigger than her fears. Weiner's witty, original, fast-moving debut features a lovable heroine, a solid cast, snappy dialogue and a poignant take on life's priorities. This is a must-read for any woman who struggles with body image, or for anyone who cares about someone who does.

Jules Strauss is a Princeton senior with a full scholarship, acquaintances instead of friends, and a family she’s ashamed to invite to Parents’ Weekend. With the income she’ll receive from donating her “pedigree” eggs, she believes she can save her father from addiction.

Annie Barrow married her high school sweetheart and became the mother to two boys. After years of staying at home and struggling to support four people on her husband’s salary, she thinks she’s found a way to recover a sense of purpose and bring in some extra cash.

India Bishop, thirty-eight (really forty-three), has changed everything about herself: her name, her face, her past. In New York City, she falls for a wealthy older man, Marcus Croft, and decides a baby will ensure a happy ending. When her attempts at pregnancy fail, she turns to technology, and Annie and Jules, to help make her dreams come true.

But each of their plans is thrown into disarray when Marcus’ daughter Bettina, intent on protecting her father, becomes convinced that his new wife is not what she seems…

With startling tenderness and laugh-out-loud humor, Jennifer Weiner once again takes readers into the heart of women’s lives in an unforgettable, timely tale that interweaves themes of class and entitlement, surrogacy and donorship, the rights of a parent and the measure of motherhood.

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him-the club rooms of Brooklyn, the Mafia dives of New York 's Lower East Side, the wilds of Alaska, or the hills of Hollywood -he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"

In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.

Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer…well, the list goes on forever.

And of course, the story is not yet over…as the old-timers say, "The best is yet to come."

As Weintraub says, "When I stop talking, you'll know I'm dead."

With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists… everyone.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.

As the twelve days that make up the novel's framework yield to their dramatic conclusion, this unforgettable family-motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce-pulls itself up to face another day. A big-hearted novel about familial love and community against all odds, and a wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, Salvage the Bones is muscled with poetry, revelatory, and real.

Meet Matt Prior. He's about to lose his job, his wife, his house, maybe his mind. Unless…

In the winning and utterly original novels Citizen Vince and The Zero, Jess Walter ("a ridiculously talented writer" – New York Times) painted an America all his own: a land of real, flawed, and deeply human characters coping with the anxieties of their times. Now, in his warmest, funniest, and best novel yet, Walter offers a story as real as our own lives: a tale of overstretched accounts, misbegotten schemes, and domestic dreams deferred.

A few years ago, small-time finance journalist Matthew Prior quit his day job to gamble everything on a quixotic notion: a Web site devoted to financial journalism in the form of blank verse. When his big idea – and his wife's eBay resale business – ends with a whimper (and a garage full of unwanted figurines), they borrow and borrow, whistling past the graveyard of their uncertain dreams. One morning Matt wakes up to find himself jobless, hobbled with debt, spying on his wife's online flirtation, and six days away from losing his home. Is this really how things were supposed to end up for me, he wonders: staying up all night worried, driving to 7-Eleven in the middle of the night to get milk for his boys, and falling in with two local degenerates after they offer him a hit of high-grade marijuana?

Or, he thinks, could this be the solution to all my problems?

Following Matt in his weeklong quest to save his marriage, his sanity, and his dreams, The Financial Lives of the Poets is a hysterical, heartfelt novel about how we can reach the edge of ruin – and how we can begin to make our way back.

What's left of a place when you take the ground away?

Answer: The Zero.

Brian Remy has no idea how he got here. It’s been only five days since his city was attacked, and Remy is experiencing gaps in his life – as if he were a stone skipping across water. He has a self-inflicted gunshot wound he doesn’t remember inflicting. His son wears a black armband and refuses to acknowledge that Remy is still alive. He seems to be going blind. He has a beautiful new girlfriend whose name he doesn’t know. And his old partner in the police department, who may well be the only person crazier than Remy, has just gotten his picture on a box of First Responder cereal.

And these are the good things in Brian Remy’s life. While smoke still hangs over the city, Remy is recruited by a mysterious government agency that is assigned to gather all of the paper that was scattered in the attacks. As he slowly begins to realize that he’s working for a shadowy operation, Remy stumbles across a dangerous plot, and soon realizes he’s got to track down the most elusive target of them all – himself. And the only way to do that is to return to that place where everything started falling apart.

From a young novelist of astounding talent, The Zero is an extraordinary story of searing humor and sublime horror, of blindness, bewilderment, and that achingly familiar feeling that the world has suddenly stopped making sense.

Achan, Vrell, and the Kingsguard Knights have fled into Darkness to escape the wrath of the former prince. They head for Ice Island to rescue two of Sir Gavin's colleagues who were falsely imprisoned years ago.

Darkness is growing and only one man can push it back. Achan wanted freedom, not a crown. His true identity has bound him more than ever. He must learn decorum, wear fancy clothes, and marry a stranger.

Achan knows one thing for certain. He will not be a puppet prince. Either he will accept his role and take charge or he will flee. But which will he choose?

A stunning narrative account of the mysterious Jordanian who penetrated both the inner circle of al-Qaeda and the highest reaches of the CIA, with a devastating impact on the war on terror.

In December 2009, a group of the CIA’s top terrorist hunters gathered at a secret base in Khost, Afghanistan, to greet a rising superspy: Humam Khalil al-Balawi, a Jordanian double-agent who infiltrated the upper ranks of al-Qaeda. For months, he had sent shocking revelations from inside the terrorist network and now promised to help the CIA assassinate Osama bin Laden’s top deputy. Instead, as he stepped from his car, he detonated a thirty-pound bomb strapped to his chest, instantly killing seven CIA operatives, the agency’s worst loss of life in decades.

In The Triple Agent, Pulitzer Prize–winning reporter Joby Warrick takes us deep inside the CIA’s secret war against al-Qaeda, a war that pits robotic planes and laser-guided missiles against a cunning enemy intent on unleashing carnage in American cities. Flitting precariously between the two sides was Balawi, a young man with extraordinary gifts who managed to win the confidence of hardened terrorists as well as veteran spymasters. With his breathtaking accounts from inside al-Qaeda’s lair, Balawi appeared poised to become America’s greatest double-agent in half a century-but he was not at all what he seemed. Combining the powerful momentum of Black Hawk Down with the institutional insight of Jane Mayer’s The Dark Side, Warrick takes the readers on a harrowing journey from the slums of Amman to the inner chambers of the White House in an untold true story of miscalculation, deception, and revenge.

Wright’s new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does.

The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can?

The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors.

In this compulsive page-turner, six-time New York Times bestselling author John Weisman blows the lid off one of Washington's deepest real-world secrets. The CIA, currently incapable of performing its core mission of supplying critical and time-sensitive human-based intelligence for the global war on terror, must now outsource the work to private contractors. Drawing on real-world crises and actual CIA operations, Direct Action takes readers deep inside this new and unreported covert warfare that is being fought on a daily basis by anonymous shadow warriors all across the globe.

Racing against the clock and shuttling between Washington, Paris, and the Middle East, one of those shadow warriors, former CIA case officer Tom Stafford, must slip below the radar to uncover, target, and neutralize a deadly al-Qa'ida bombmaker before the assassin can launch simultaneous multiple attacks against America and the West. And as if that weren't enough, Stafford must simultaneously open a second front and mount a clandestine war against the CIA itself, because for mysterious and seemingly inexplicable reasons the people at the very top of the Central Intelligence Agency want him to fail.

The characters and operations in Direct Action are drawn from true-life CIA personnel and their real-world missions. With Direct Action, John Weisman confirms once again Joseph Wambaugh's claim that "nobody writes better about the dark and dirty world of the CIA and black ops."